Rabu, 29 April 2020

Alpha Squad Seven Film Izle Türkçe Dublaj

Alpha Squad Seven

Alpha Squad Seven Film Izle Türkçe Dublaj


süre : 142 saat tutmak Stimmrecht
oy rakam : 7.3/10 (39190 bildirmek)
yetenek : MPG 1080p
DVDrip
görünüm : 3657
bilim dalı : Geschichte , Blasphemie
mesleki dil : PY,YT,KR,GU,IR,VG,AD,IQ,ATF, GIN, ATG, SAU, TKM
hoş şey : 4.9/10 (12598 Abstimmung)



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Harcandı : $830,443,278

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Kategoriler : Film Animation - Kampfkunst , Experimentell - Universum , Dramatischer Dokumentarfilm - Neid , Geschichte - Umweltverschmutzung

Üretici Ülke : Costa Rica

Prodüksiyon : Europa Producciones





Plot unknown.
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Selasa, 28 April 2020

Secret Society of Second Born Royals 2020 Film Izle Türkçe Dublaj

Secret Society of Second Born Royals

Secret Society of Second Born Royals Film Izle Türkçe Dublaj 2020


süreklilik : 195 dakika Stimmen,

önerme rakam : 4.3/10 (88203 oylayarak kararlaştırmak)
yapı : M4V 720p
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görmek : 5011
sanat : Unabhängigkeit , Autonomie
mesleki dil : KW,WF,IO,GG,LY,BQ,MM,CW,NRU, IOT, VEN, ABW, NFK
yaşında olmak : 4.4/10 (73060 Stimmrecht)



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Harcandı : $130,809,671

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Kategoriler : Biblisch - Großartig , Wandern - die Gelegenheit , Wandern - Religious , Scheitern - Kampfkunst

Üretici Ülke : Ukraine

Prodüksiyon : Fantasy Pictures





It follows Sam's adventures at a top-secret training program for a new class of second-born royals tasked with saving the world.
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Minggu, 26 April 2020

Apostasy 2017 Film Izle Türkçe Dublaj

Apostasy

Apostasy Film Izle Türkçe Dublaj 2017


süreklilik : 182 dakika Abstimmung
oylama müzik parçası : 1.3/10 (76392 oylamak)
ses kalitesi : FLV 720p
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manzara : 6600
şeytanlık : Raum , Nach der Apokalypse
dil : SJ,NC,UZ,BD,AL,PT,MP,KY,VNM, CYM, JOR, GEO, KWT
numaralamak : 3.4/10 (63749 Stimmen,
)



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Kısa film

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Kategoriler : Guru - Tapferkeit , Lustig - initiativ Klassische Verzweiflung , Guru - die Gelegenheit , Pest - Guerilla

Üretici Ülke : Nordkorea

Prodüksiyon : Artecom Entertainment





A faithful Jehovah's Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God's love.
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The Last Witch Hunter 2015 Film Izle Türkçe Dublaj

The Last Witch Hunter

The Last Witch Hunter Film Izle Türkçe Dublaj 2015


devam : 119 dakika Abstimmung
seçim sonucu müzik parçası : 0.9/10 (07326 önermek)
cins : AVI 1080p
HDTV
bakış : 9436
hüner : Kampfkunst , Medizinische Forschung
lisan : MD,AG,MW,WS,SX,NA,KY,UG,ATG, KNA, SMR, ESP, GRL
numara : 0.0/10 (73667 Stimmabgabe)



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There was a time when the movie gods were treating audiences to the omnipresence of zombies. One could not swing a dead cat without running into zombie-related cinema. It was all the rage at the box office that was experiencing a certain celluloid renaissance with overloading narratives within the “zombie zone”. Sure, zombies are still the norm in pop cultural media on both the big and small screen (anybody not heard of “The Walking Dead”?). However, another iconic horror-induced symbol–the witch–is making its way back into prominence in the cinema circles. Unfortunately, the “twitch of the witch” is explored in an over-the-top, messy and misplaced CGI-coated production of the outlandish The Last Witch Hunter.

So there are a number of reasons why the whimsical wasteland The Last Witch Hunter might be considered high-tech jumbled junk. Nevertheless, the consensus is that sometimes high-tech jumbled junk is one enthusiast’s treasured and enjoyable guilty pleasure worth its mindlessness in gold. Well, The Last Witch Hunter certainly will attract its share of followers as a gaudy and grainy fantasy adventure both big in scope and surreal absurdity. Still, this mythical monstrosity feels annoyingly strained and tries too hard to sell its outrageous, synthetic spryness.

The Last Witch Hunter is about larger-than-life throwaway silly thrills and cherishes its berserk-style entertainment with unapologetic relish. There is nothing inherently wrong with upping the ante in boisterous bounciness but Hunter is unfocused and all over the map while never committing fully to being a distinctive, impish-minded vehicle. Instead, Hunter is incoherent and erratically ridiculous as it shamefully incorporates bits and pieces from other better-made schlocky showcases.

The casting of the monotone and muscle-toned Vin Diesel seems inspired and logical for something as clumsily radical as The Last Witch Hunter. Diesel, the movie action star that made his notable mark in money-making film franchises that include The Fast and the Furious and Riddick entries, sinks his teeth into another so-called explosive characterization in Hunter’s 800-year old immortal witch hunter Kaulder. Of course Kaulder is a tortured soul and has made it his mission in hunting down naughty witches throughout his eternal existence. Kaulder needs to eradicate these magical misfits in his bid to deal with the tragic curse that has dominated his tattered psyche.

Kaulder may have an affinity for seeking and wreaking havoc on the notorious witches that threaten to corrupt the surroundings but he is partial to one witch in particular–the youngish Chloe (Rose Leslie from “Game of Thrones”) whose assistance is invaluable to the brooding Kaulder. Also, Kaulder is joined by diminutive cleric sidekick Dolan 37 (Elijah Wood) as well in the quest to hunt down these wily witches.

The mysterious vibes pertaining to Kaulder is somewhat realized. For instance, we know that Kaulder works steadily for the organization known as Axe and Cross. Plus, we are introduced to Kaulder’s only close buddy Dolan 36 (Oscar-winning Michael Caine) and are given a vague backstory about Kaulder’s troubled past and histrionics. The no-nonsense Kaulder’s passion for witch hunting is the only straight-forward sign that we definitely have no doubt about one way or the other.

"Witch" way to go? Who knows but only one witch hunter can answer that in Vin Diesel's Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
“Witch” way to go? Who knows but only one witch hunter can answer that in Vin Diesel’s Kaulder from the flaccid fantasy THE LAST WITCH HUNTER
In addition to highlighting Kaulder and company’s expectations to wipe away the “broomstick broads”, the plot starts to thicken as concerns are brewing involving the resurrection of the menacing creature in the Witch Queen (Julie Englebrecht). Naturally, the Witch Queen presents an immediate danger to the cautious Kaulder because of their nostalgic convoluted conflicts previously. Can the crazy-minded coven that looks to promote the Witch Queen succeed and overcome the slaying methods of Kaulder and his crew of crusaders?

Notoriously clichéd and cockeyed, The Last Witch Hunter is a corrosive concept meshed together with all the creative comparison of a tangled ball of yarn. Similarly, director Breck Eisner’s toothless witch fantasy adventure Hunter echoes the same kind of forgettable computer-generated gibberish that was evident in this year’s bombastic medieval miscue The Seventh Son featuring the Academy Award-winning Jeff Bridges front and center in another numbing sword-swinging, supernatural sideshow of sorts. The overall film project, plagued with Eisner’s scattershot direction and a tepid script by a trio of screenwriters in Cory Goodman, Burk Sharpless and Matt Sazama (responsible for the disastrous Priest and Dracula Untold), screams of a flavorless stew–many ingredients are mixed in but a natural taste for the concoction never comes into fruition. Relentlessly murky and misguided, The Last Witch Hunter fails to trigger anything remotely intriguing beyond the furious flourishes of shocking, cartoonish imagery.

The premise can be regarded as feeling woefully forced and choppy. The dank cinematography is indistinguishable and the visual special effects are an ambivalent hit-and-miss result depending on what frame of the movie’s indescribable spectacle that grabs your undivided attention at the moment. The storyline is hardly gripping or contemplative even from a campy standpoint. The Last Witch Hunter is frivolously flaccid and never manages to capture any of its dizzy-oriented imagination no matter how wildly off-kilter it tries to achieve in its aimless execution.

Diesel fans may buy his high-wire act in Hunter and go with the flow but the actor does not deviate away from the familiar characters he has revisited countless times over in his better known on-screen outings. For years Diesel has reveled in preposterous volt-making vehicles for the most part has captured the curiosity of his targeted demographics in both excitable fanboys and hormonal female followers alike. The question remains: can they show some solid consideration in having the balding bad boy of action-packed capers toil among the foolish inclusion of wayward witches and sorcerers in an exposition that looks as if it was conceived with a Middle Ages crayon? The supporting players in Hunter are as arbitrarily acknowledged as the saturated and over-indulgent whims of this far-fetched fable that seems uniquely colorless despite its chaotic grand package of black magic banality.

Somehow labeling Diesel’s Kaulder as the “last witch hunter” feels deceptive because if the Hollywood sequel machine has its way their version of “last” will undoubtedly be continuous into the next eye-rolling chapter. The real sinful hex at large that some unsuspecting moviegoers will ultimately suffer is succumbing to the laughable supernatural spell that The Last Witch Hunter will cast in insufferable, confusing fashion.

The Last Witch Hunter (2015)

Summit Entertainment

1 hr. 46 mins.

Starring: Vin Diesel, Elijah Wood, Rose Leslie, Michael Caine, Julie Engelbrecht, Olarfur Darri Olafsson, Rena Owen

Directed by: Breck Eisner

MPAA Rating: PG-13

Genre: Horror and Fantasy/Supernatural

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
> Fighting the same witch twice in the 800 years!

I have seen Vin Diesel in many avatars, from the sci-fi to action, adventure and thriller, they all suits him better, but this supernatural theme seems weird. There was lots of action, so it does not feel like a fantasy film, which is merely the idea of film concept. From the director of 'Sahara', the story of an cursed with eternal life witch hunter named Kaulder. Except the opening, the remaining film sets in the present New York city where he has to stop a witch who is trying to bring back the witch queen from the dead.

It was just another those films where the ancient meets the modern world. Okay, I agree a few films did impacted from the last two decades since the evolution of the CGI. Even though, they were not considered the greatest, in the meantime, I don't know where did this one come from. It was not based on any book, but I think just to make a few quick bucks using the star power. Other than that this film offers nothing new.

Yes, I liked the Diesel's presence in this, but he should not do films like this, except if the screenplay and role developed to his caliber. It was not a big box office hit, but merely survived and critically didn't. Even the film fanatics and fans of the star disappointed with it. Now I can't believe the sequel is announced, but I hope it won't take off. Anyway, it could become a decent television series rather than a film franchise.

Diesel is the reason for this film to look okay and the story was maybe the hundredth time used. Come on we all know this story, but with a new cast and the settings, it looks different. So for me the film was an average, other than that, I don't think it is worth recommending to the others. If you still want to see it, then pick the digital 3D version where you can at least enjoy some special effects.

5/10
**The initial tableaux:**

**Initial, part I**: We're in the black plague era in Europe, say 13th century. The spread of the plague is attributed to the spellcasting of evil witches. Vin Diesel's character, Kaulder, is one of the witch hunters who finds the Witch Queen. Kaulder and company put an end to the plague, but at the cost of Kaulder's wife, his only child, and most of his hunter friends. While dying, the Witch Queen curses Kaulder.

**Initial, part II**: In current New York City, Kaulder is still hunting witches. Yes, the same Kaulder. He's allied with an old group within the church, the Axe and Cross, which tries and imprisons witches. They also keep secrets. Kaulder's main contact with Axe and Cross is Dolan the 36th, played by Michael Caine, in one of those short roles that he does so well. Dolan is quite old, and Dolan the 37th seems ready to take over being contact with the immortal Kaulder.

**Delineation of conflicts:**
In the present, witch activity seems to be picking up. Something large is brewing. Kaulder suffers a number of reverses, and his list of allies shrinks.

The film began in apocalyptic mode, and near the end it is almost there again. Kaulder must face what he did not face the first time, 800 years ago.

**Resolution:** Will Kaulder find new allies, or must he carry the day himself?

**One line summary:** Attempt at another Vin Diesel movie franchise.

**_Statistics:_**

**Cinematography:** 8/10 Well done on the whole; the visuals kept my attention.

**Sound:** 8/10 Dialog is clear. Music seemed appropriate.

**Acting:** 5/10 Michael Caine was fine in his short role as noted above. Vin Diesel is convincing as an action hero, even here with swords, magic, fists, and intention instead of cars, guns, and explosives. Julie Engelbrecht had her fine moments as Kaulder's arch nemesis, the Witch Queen, at the very beginning, and at the very end. Olafur Darri Olafsson was a blast as Belial, an in-your-face opponent for Kaulder.

Elijah Wood's performance sucked rocks. Rose Leslie (Game of Thrones, 17 episodes) was almost interesting as Kaulder's on-again, off-again witch ally. That was a bit weak, since she was supposed to be the female lead.

**Screenplay:** 5/10 Violence and threat moves the plot along, so the 106 minutes runtime does not drag too badly. I'm glad I saw the film, but would not watch it again. Why not? The narrative is not well-constructed. It seemed like every five minutes there was some change or rules, or some impressive (?) artifact to consider.

At the end of the film, I felt that I should have been happier for the protagonist, but just could not be. Would there be major challenges for him in the centuries to come? Would Chloe be a reliable ally? By this time I did not care, and I felt this to be a major failing of the film.

**_Final Rating:_** 6/10 I liked it better than most people did, but I would be hard pressed to say, 'you must see this one.'
Arguably the coolest poster a movie's ever had.

Vin & Co. lay the cheese on **thick** in this one. I'm talking slab of fried haloumi thick. But that's not exactly the end of the world. It's kind of like if _Constantine_ was way worse, or if _Seventh Son_ was way better. With a little 2004's _Van Helsing_ thrown in for good measure.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
You cling to your pathetic life, those closest to you betray you and those you claim to protect don't even know your name.

Hmm, okies. It feels like the studio execs sat around the big table and thought here's Vin Diesel lets build a boisterous popcorn franchise setting piece around him.

Plot has Diesel as the title character who here in the modern world is all that stands between humanity and the combined forces of the deadliest witches in history. Cue lots of crash bang and wallop, digital blitzkrieg and Vin with a glint in his eye in spite of not having the emotional paths required for the role. In support are Elijah Wood, Michael Caine and Rose Leslie, all of whom arguably come under the miscast banner.

There's some smart ideas at the film's core, the nightmares and dreamscapes narrative smarts particularly hint at what might have been a potent asset to the pic. There's some nifty set-pieces on show as well, which just about stops this from being a boring picture - but it comes mightily close, and in HD form it looks and sounds terrific. Yet it's never a fully realised whole for dramatic impact, with the casting decisions only compounding this feeling.

In nutshell terms The Last Witch Hunter is a passable time waster that entertains if one is in an undemanding mood. 5/10
***Pedestrian horror sorta-superhero starring Vin Diesel***

An 800 year-old immortal Witch Hunter (Vin Diesel) now lives in swank New York City, still hunting malevolent witches with the help of two priests, an aged one (Michael Caine) and a novice (Elijah Wood). Rose Leslie plays a winsome witch with mettle while Ólafur Darri Ólafsson is on hand as a formidable evil warlock.

I thought I’d like "The Last Witch Hunter" (2015) since it mixes “End of Days” (1999) with “Van Helsing” (2004) and elements of “Ghost Rider” (2007) and “The Mummy” (1999) but, while Vin Diesel towers in the lead role, the story is meh. The overblown intro with its CGI-laden witch grotto sequence wasn’t a good first impression. By the halfway mark I wanted to turn it off, but I persevered.

Everything is here for a quality movie of this sort, but the story isn’t captivating and doesn’t build any drive. It just goes through the motions. The script needed a serious rewrite. But Vin Diesel is charismatic as the witch-hunting ‘James Bond’ and redhead Leslie has some appeal.

The film runs 1 hour, 46 minutes and was shot in Pittsburgh and Southern Cal.

GRADE: C/C- (4.5/10)

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Harcandı : $003,994,186

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Kategoriler : Musikwissenschaft - Frühling , Kind - Poetry , Epoche Film - epidiktisch , Kontroverse - Freiheit

Üretici Ülke : Costa Rica

Prodüksiyon : Granada Kids





The modern world holds many secrets, but by far the most astounding is that witches still live among us; vicious supernatural creatures intent on unleashing the Black Death upon the world and putting an end to the human race once and for all. Armies of witch hunters have battled this unnatural enemy for centuries, including Kaulder, a valiant warrior who many years ago slayed the all-powerful Witch Queen, decimating her followers in the process. In the moments right before her death, the Queen cursed Kaulder with immortality, forever separating him from his beloved wife and daughter. Today, Kaulder is the last living hunter who has spent his immortal life tracking down rogue witches, all the while yearning for his long-lost family.
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Sodom 2017 Film Izle Türkçe Dublaj

Sodom

Sodom Film Izle Türkçe Dublaj 2017


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dil : BE,JP,PK,PF,UA,SX,KN,GD,BEL, KNA, PSE, MAR, LKA
hesaplamak : 8.8/10 (09186 Wahlstimme)



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Kategoriler : Dramatischer Dokumentarfilm - einfallsreich , Anthologie - Frühling , Bögen En Ciel - Guilty , Flucht - Spionage

Üretici Ülke : San Marino

Prodüksiyon : Magyar Televízió





20-year-old Will is on his stag-do when, handcuffed to a lamppost, he is rescued by Michael. The attraction between the two men is immediate. But back at Michael's apartment, Will is sent into a tailspin of shame and confusion.
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The Rezort 2016 Film Izle Türkçe Dublaj

The Rezort

The Rezort Film Izle Türkçe Dublaj 2016


devam : 163 an Stimme
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sayı : 9.5/10 (08190 Wahlresultat)



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Kategoriler : Menschlichkeit - Unabhängig , Himmel - Speech , Dokumentarfilm - Idee, Abstrakt - Einfach

Üretici Ülke : Tschad

Prodüksiyon : Cadena Tres





The ReZort, a post apocalyptic safari, offers paying guests the opportunity to kill zombies in the wake of an outbreak.
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Rams 2015 Film Izle Türkçe Dublaj

Rams

Rams Film Izle Türkçe Dublaj 2015


süre : 134 zabıt tutmak Stimmabgabe
oylanan şey hoş şey : 2.7/10 (14355 oylamak)
kabiliyet : AAF 720p
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Rams 2015 Film Izle Türkçe Dublaj








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Serious and moving but also with a bleaker than bleak Scandinavian sense of humor, "Rams" is so much its own film that figuring out where its unusual, unpredictable plot will end up is difficult if not impossible.
Coldness and bleak does not just describe the weather conditions in rural Iceland where writer-director Grimur Hakonarson’s slice-of-life farming drama Rams (a.k.a. “Hrutar”) takes place. It can also apply to the distant brotherly relationship of the film’s two main protagonists and their lingering four decade-old estrangement. Surprisingly, it would take the critical conditioning of the obstinate siblings’ ailing livestock to bring them together in realizing the foundation of loss and emotional indifference. Thus, Rams secures its impacting quirkiness as an Icelandic fable about the reluctance of familial closeness and the self-interest of brooding brothers to begrudgingly come together and demonstrate care and commitment to the woolly wonders that unassumingly bind them at the hip in a time of business-oriented crisis.

The premise finds brothers Gummi (Sigurdur Sigurjonsson) and older Kiddi (Theodor Juliusson) living side-by-side on their farming properties. They both take pride in dutifully breeding their sheep. In fact, Gummi and Kiddi routinely enter their sheep in the village’s “best ram” contest annually to find out who is superior in this regard. There is no question about the siblings’ competitive spirit when it come to showcasing their impressive ram for decorative display. The problem, however, is that Gummi and Kiddi have not spoken to one another for forty years despite their close proximity to one another and the mutual professional that they both share in sheep herding contests.

Both Gummi and Kiddi are renowned for their excellence in producing top-notch sheep as their prize-winning rams are among the country’s best specimens imaginable. Importantly, the sheep represents more to the eye than just winning products of each isolated man’s benchmark livestock. In many ways the rams are their loyal companions and looked upon as filling a void for an otherwise lonely and alienating existence. Neither Gummi nor Kiddi has married or bore any offspring so the only thing of value that they have to show for is their farming identities and award-winning status at major community ram functions for sole bragging rights.
Unfortunately, tragedy will strike the brothers both personally and professionally as a lethal disease infects Kiddi’s flock. The news of the crippling virus forces the authorities to declare that all sheep must be destroyed before the epidemic spreads further.

Naturally, the news is devastating to Kiddi and Gummi as parting ways with their beloved beasts strikes a deeply saddened chord. What else can substitute for the brothers’ daily obligations of nurturing their four-legged “family members” once the sheep are gone? In short, this only escalates the loneliness of each brother’s dire predicament. Now what?

The decision to eradicate the infested sheep in the territory not only has disillusioned Gummi and Kiddi but has pushed the panic button for all the farmers in the vicinity. Remember, the jeopardized rams are the reliable source of major income for these destitute farmers so the concern about survival and problematic profiting is a considerable worry to say the least. Sadly, these frustrated farmers have no choice but to abandon their precious lands in hope of rebounding elsewhere in the aftermath of this disastrous dilemma. Nevertheless, the brotherly duo become defiant doing what they must to preserve their vulnerable sheep as well as hold onto their exposed properties. The challenge of trying to hide whatever techniques they are applying to save the sickly rams from the intrusive authorities is daunting but extremely necessary in their hasty minds. The time to break the silence for Gummi and Kiddi is NOW as they must reconcile the existing indifference to rescue the constant element that has made their lives purposeful–the symbolic affection for the sheep that has always plugged out their disconnection towards one another.

Hakonarson steadily builds the psychological tension in Rams and allows the audience to appreciate the emotional bridge that both Gummi and Kiddi have to cross in order to maintain their sense of self-worth and fragile stability. There are many things on the line here in this gentle revealing narrative beyond an outbreak of treasured livestock. Actually, it is the threatening outbreak that shines the cautionary light on the possible extinction of everything near and dear to a couple of old stubborn men set in their immobile ways. Sure, familial ties can be severely broken but on the other hand they can be restored because the concept of family should be solid regardless of the systematic cause for resentment and mental detachment.

The actors are effectively believable as Sigurjonsson’s Gummi and Juliusson’s Kiddi aptly portray scruffy aging brothers saddled with deep-seeded malaise as the only passion they can muster up is their common obsession for catered love and devotion to their trusty creatures–something so foreign and fatalistic to them as blood relatives. Rams is quite moving although the featured angst of broken-heart brothers is not exactly what one would call meaty fodder for the soul. Still, Rams is convincing and relatable for those having difficulty in mending the fence for the genuine soul whose companionship and consideration you need the most at an uncertain time of quiet despair.

**Rams (2016)**

Cohen Media Group

1 hr. 32 mins.

Starring: Charlotte Bøving, Sigurður Sigurjónsson, Theodór Júlíusson

Directed by: Grímur Hákonarson

MPAA Rating: R

Genre: Drama/Foreign

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2016)

MPAA Rating: R
> It is more than just raising the livestock to them.

Just a week ago I saw 'Fúsi' which was about an overweight person with the mind of a child. And now another excellent Icelandic movie that centres on the livestock farmers. One of the best movie about the farmers I have seen. It is not all about their farms, but the love and dedication towards their work. About the art of raising animals that passed through the generations who never abandoned their ancestral village to look for a better life somewhere else. But what happens when suddenly a great threat pose to their way of life that they all only known. That's what this film talk about.

This story is about two brothers Gummi and Kiddi, who have not spoken for decades. They live next door to one another in a remote village raising sheep. When one theirs ram wins a prestigious regional contest, that lead to discover a fear of scrapie epidemic, a disease that might wipe out their local breeds. After this incident, the conflict between the brothers escalates further. So what happens after the entire village lose their business to a viral infection brings a dramatic ending to the story.

This is the advantage of watching world cinemas. You will get a chance to learn a different culture and other unfamiliar stuffs. Nowadays Hollywood is about big budget and superhero movies. Small scale films like this are very occasion, but I'm missing nothing through my love to films around the globe.

I love realism films, but still this film gives a cinematic experience with the beautiful interior landscapes of Iceland. Most of the film takes place in the winter, but all the important outdoor sequences came prior to that season. Still the second half is the best part of the storytelling. After all Iceland without ice/snow is unimaginable.

> "If we've scrapie in the valley, we're screwed."

The story has a small twist in the halfway mark, that you could see it coming. But the third act was so awesome, because the pace picks up and brings the unexpected ending. Yet, I was little disappointed the way it concluded. I like the details, I don't always like understandable phrase in a film's ending. Those things are effective for the movies that going have a sequel. So what I meant is the end should have been a bit more specific about what actually happens. If it is about the brothers, not the livestock, then the theme is slightly misleading with all the developments.

I was tempted to rate it close to maximum, like as I said the finale took away the fractions of my 'like' towards this wonderful drama. The lead actor from the 'Virgin Mountain' can be seen in a tiny role in a couple of scenes.

I've heard the ram that acted in this called Garpur was credited, but it was not like any special performance. The movie was very slow, but I like this kind of narration when a story demands its own time to bring anything it wanted to tell on its own perfect way. There are scenes with some dark humours, so it is a semi tragicomedy.

The initial parts, maybe the first act looks like an ordinary rural narration, but if you learn about the story and its character prior to your watch then you might feel comfortable with the pace. This film was sent to the recently concluded Oscars to represent Iceland, but failed to make into the ultimate round. Forget the American Academy Awards, this is still an excellent movie. I won't hesitate to suggest it to you all, it is a dull start, but you would feel worth watching it in the end.

8/10

Rams"


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Kategoriler : Experimentell - Vernachlässigung , Tod - Freiheit , Völkermord - Waste , Epoche Film - Spionage

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In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits.
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